Jacqueline Gourevitch began exhibiting in the mid-50’s while studying at the University of Chicago and the School of the Chicago Art Institute. Gourevitch started her ongoing series of “Cloud Paintings” in the mid-60’s. She now lives and works in New York City.

SOLO EXHIBITIONS (selected)
2014             "Site Reconstruction", Black Mountain College Museum+Arts Center, Asheville, NC
2008             William Siegal Gallery, Santa Fe, NM
2005             Mary Ryan Gallery, New York, NY
2002             DFN Gallery, New York, NY
2000             DFN Gallery, New York, NY
1999             Paesaggio Gallery, West Hartford, CT
1996             Paesaggio Gallery, West Hartford, CT
1994             “Aerial Notations”, New Britain Museum of American Art, CT
1993             Paesaggio Gallery, West Hartford, CT
1988             Marina Dinkler Galerie, Berlin
1985             Zilkha Gallery, Wesleyan University, CT
1984             Condeso/Lawler Gallery, New York, NY
1983             Zilkha Gallery, Wesleyan University, CT
1982             Condeso/Lawler Gallery, New York, NY
1980             Condeso/Lawler Gallery, New York, NY
1978             Ann Robinson Gallery, Houston, TX
1975             “Notations”, Matrix Gallery, Wadsworth Atheneum, Hartford, CT
1973             Tibor de Nagy Gallery, New York, NY
1972             Tibor de Nagy Gallery, New York, NY
1971             Tibor de Nagy Gallery, New York, NY
1969             Eleanor Rigelhaupt Gallery, Boston, MA
1967             Eleanor Rigelhaupt Gallery, Boston, MA
1966             ROKO Gallery, New York, NY

GROUP EXHIBITIONS (selected)
2017             "2017 Invitational", The American Academy of Arts and Letters, NYC, NY
2017             "Begin to See: The Photographers of Black Mountain College", BMCM+AC, Asheville, NC
2017             "Expanding Abstraction", deCordova Museum, Lincoln, MA 
2017             "In Conversation", Indiana University, IUCA+D, Columbus, IN 
2016             "BLACK & WHITE: Modern and Contemporary Positions", Jason McCoy Gallery. New York, NY
2016             "NOMENCoLorATURE", STUDIO 10, Brooklyn, NY
2015-'16       "Leap Before You Look: Black Mountain College 1933-1957", ICA/Boston, CA & OH                  
2016             "IN CONVERSATION", Teachers College, Columbia University, New York, NY
2015             "Leap Before You Look, Black Mountain College, 1933-1957", ICA/Boston, MA    
2015             "IN CONVERSATION", Shirley Fiterman Art Center, BMCC, New York, NY
2015             "Embracing Modernism", The Morgan Library and Museum, New York, NY
2014             "Clouds", Lesley Heller Workspace, New York, NY
2013             National Academy Annual, National Academy Museum, New York, NY
2012             “From Protest to Process”, National Academy Museum, New York, NY
2011             “Black Mountain College and its Legacy”, Loretta Howard, New York.NY
2011             “Color Study”, Asheville Art Museum, NC
2009             “out of the blue”, Gallery Bergen, NJ
2008             “The Shape of Imagination”, Black Mountain College Museum, Asheville, NC 
2008             “Transcendent and Sublime”, Sacred Heart University, Fairfield, CT 
2008             “Clouds”, Gershman Y, Borowsky Gallery, Philadelphia, PA 
2008             "Movin’ On Up!”, Ken Jones Jr. Fine Art, Easton, PA 
2007             “New York at Night” & “Works on Paper”, DFN Gallery, New York, NY 
2007             “Fluid Fields: Watercolor”, The Painting Center, New York, NY 
2006             “Invitational”, National Academy Museum, New York, NY 
2004             “Invitational”, American Academy of Arts and Letters, New York, NY 
2003             “New York, New York”, David Findlay Jr., New York, NY
2003             “Modern Shadows”, The Painting Center, New York, NY
2003             Art in Embassies Program, US State Department, Washington, DC
2002             “Watercolor”, New York Studio School. New York, NY
2002             “Invitational”, National Academy of Design, New York, NY
1997             "Aerial Perspectives, DC Moore Gallery, New York, NY
1997             “Current Undercurrent”, Pierogi, Brooklyn Museum of Art, NY
1994             American Academy of Arts and Letters, New York, NY
1973             American Academy of Arts & Letters, “Invitational”, New York, NY
1973             Biennial, Whitney Museum of American Art, New York, NY

GRANTS, AWARDS and COMMISSIONS (selected)
2011               Elected a member of the National Academy, New York, NY
2004               Arts and Letters Award, American Academy of Arts and Letters, New York, NY
2002               Obrig Prize for Watercolor, National Academy of Design, New York, NY
2000               Residency, World Trade Center Tower #1, LMCC, New York, NY 
1995               Richard Florsheim Art Fund
1983               1% for Art in Public Spaces, Mural, Western CT State University, Danbury, CT
1976               National Endowment for the Arts: Individual Artist Grant
1976               Connecticut Commission on the Arts: Individual Artist Grant
1973               Tamarind Institute: Artist-in-Residence, Albuquerque, NM 

PUBLIC COLLECTIONS (selected) 
Art Institute of Chicago, Chicago, IL
The Morgan Library and Museum, New York, NY
The National Academy Museum. New York, NY
The Menil Collection, Houston, TX
Yale University Art Gallery, New Haven, CT
The Museum of the City of New York, New York, NY
Provincetown Art Association and Museum, Provincetown, MA
Asheville Art Museum, Asheville, NC
Black Mountain College Museum+Art Center, Asheville, NC
Wadsworth Atheneum, Hartford, CT
Vassar College Museum, Poughkeepsie, NY
University of California at Berkeley, CA
The William Benton Museum, Storrs, CT
Ball State University, Muncie, IN
De Cordova Museum, Lincoln, MA
Wesleyan University, Middletown, CT
Tamarind Institute, Albuquerque, NM

BIBLIOGRAPHY (selected) 
New York Studio Conversations, Editor: Stephanie Buhmann, Publisher: The Green Box, 2016
Helen Molesworth & Ruth Erickson,"Leap Before You Look, BMC 1933-1957", Yale University Press, 2015 
Stephanie Buhmann Interview, www.stephaniebuhmann.com, 2013
Patricia Rosoff, Innocent Eye, Tupelo Press, 2012
Charles B. Strozier, Until the Fires Stopped Burning, Columbia University Press, 2011
William Peterson, Catalogue, Wm Siegal Gallery show, Santa Fe, NM, 2008
James Panero, The New Criterion, “Gallery Chronicle”, June 23, 2005
Site Matters, The LMCC’s World Trade Center Artists Residency, 1997-2001, pp.244-245
Mario Naves, The New York Observer, December 20, 2004
David Cohen, The New York Sun, March 11, 2004
The New Yorker, “Goings On…”, with reproduction, May 20, 2002
Ken Johnson, New York Times, April 28, 2000
Roberta Smith, New York Times, August 1,1997
Patricia Rosoff, Hartford Advocate, 1996
Annie Dillard and Deborah Frizzell, Aerial Notations, Catalogue, New Britain Museum, CT, 1994
Jude Schwendenwien, Hartford Courant, 6/9/1996
Bernard Hanson, Hartford Courant, 3/18/1987
Bernard Hanson, Hartford Courant, 3/15/1983
John Paoletti, Arts Magazine, “Activated and Tenacious”, November 1982
Andrea Miller-Keller, Matrix Gallery #12: “Notations”, Wadsworth Atheneum, 1985
Philip Dennis Cate , “Skying” exhibition catalogue essay, Rutgers University, 1972
Robert Pincus-Witten, Artforum, June 1971
Robert Pincus-Witten, Artforum, April 1966

EDUCATION
1951-1957        University of Chicago, IL, BA and courses in Art History
1954-56            School of Art Institute of Chicago, IL
1950                 Black Mountain College, Black Mountain, NC

TEACHING (selected)
1989-1992         Cooper Union, New York City, NY
1978-1989         Wesleyan University, Middletown, CT
1977                  Vassar College, Poughkeepsie, NY
1974                  University of California, Berkeley, CA 
1973-1978         Hartford Art School, Hartford, CT
1967-1971         Wesleyan University, Middletown, CT
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